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A recent article in Forbes magazine described a Friday night this past June,
when 15,000 fans descended on New York's Jones Beach Amphitheater in a
torrential rainstorm to listen to the band Phish at one of the first concerts on
their 2009 summer tour. Despite the downpour, hundreds of other fans with no
tickets in hand roamed the parking lot hoping to get lucky and find a way in to
this sold-out show.
Apparently no one got the memo about the recession.
While everyone is feeling the economic pinch, and album sales no longer factor
in, the concert business is performing quite well, thank you. Leading the way
are the niche "jam bands" like Phish, Widespread Panic and the Disco Biscuits.
Remarkably, these touring jam bands reject the multiple-rights contracts and
the "360 deals" offered by industry giants like Live Nation and Warner Music
Group, in which the studio helps pay for and promote the tour in exchange for a
percentage of ticket and merchandise sales. These bands keep their pockets full by relying on inimitable
live performances, a symbiotic relationship with their dedicated fans, as well as imaginative grass-roots
marketing campaigns that keep costs down and arenas filled. This unique ecosystem, built upon a strong
trusting relationship between the bands and their fans, has formed a formidable emotional bond that
transcends economic downturns.
How formidable? Despite the deepest recession we've faced in decades, Phish tickets went on sale back
in March. Ten million ticket requests overwhelmed the ticketing website and 400,000 tickets were sold-out
in a matter of hours. The haul? More than $20 million in ticket revenue for just three months of touring.
And unlike a Madonna concert tour with 50-plus tractor trailers of equipment road-tripping to each tour
stop, there are no extravagant stage shows or other costly burdens, just the music and the community,
pure and simple.
In my opinion, these jam bands can teach other companies and brands struggling to make ends meet a
thing or two about successful branding. Keep your value proposition simple and remain true to it. Get to
know your customers well and take very good care of them. And when considering initiatives that might
lead to short-term gain but perhaps devalue the brand and the customer experience, don't do it! Protect
the house! You will not see In 'N' Out Burger acquiring a Mexican fast-food chain (like Wendy's with poor
results) or selling out to McDonald's; you won't see Four Seasons Hotels investing in budget brands, no
matter how appealing the deal; and you won't see Apple delivering any product that is not supremely
elegant and well-conceived. Each of these legendary companies has nurtured very strong emotional
connections with their customers. And it is the strength of this relationship that allows these companies to
realize better margins by charging more for their products and spending less than their competitors on
advertising.
When you enjoy this position, you grow your brand through word-of-mouth, and your customers stick with
you. Like the Grateful Dead before them, Phish doesn't gouge its fans; Phish tickets sell for $50, well
under the market and certainly well below what they could yield if they tried to squeeze the most revenue
out of each show. Invariably, the "jam band" community allows its fans to record the concerts and share
the music, which has only lead to more exposure for the bands and has turned fans into active collectors
of great shows, even if the currency of my day—cassette tapes—is obsolete. They typically market
through their own Website, where they keep their fans informed and facilitate the sharing of their music,
not protection of their copyrights. (Who remembers Metallica vs. Napster?) It's reported that
Widespread Panic gets 750,000 hits a day on their site on days when the band is on tour, and it's the
sense of community and belonging the keeps folks clicking again and again.
In the midst of the downturn and the accompanying consumer discontent, fans are willing to spend a
portion of their discretionary income on great brands and bands like Phish in droves. And Phish can take
comfort in the fact that although the Grateful Dead never really had a hit song, they sold out venues
around the world for 30 years and were one of the top grossing bands of all-time. I'd venture to say the
Dead had very little churn in their diverse customer base, which ranged from CEOs to truck drivers, from
intellectuals to high school drop-outs. Sure there was an affinity for the product—the songs—but clearly
not enough of one to create chart-topping hits. Again, the real appeal was the sense of belonging
inherent in the community and the brand.
Where does this leave us in the hotel industry and in the realm of customer experience? Shifting the
focus away from the product towards the way in which our offerings can bring people together in a
meaningful way. Don't get me wrong—the product has to "work" and be of high quality. I defy you to listen
to Phish's "Bouncing Around the Room" without…well, bouncing around the room, or the Dead's "Box of
Rain" without shedding a plaintive tear. But the product can't be the end all and be all; after all, Jerry
Garcia was known to miss a lyric or chord or two. So make sure your properties and facilities are
appealing and clean and operationally you can keep the trains running on time…and then put some
thought into how you can connect people to one another and your brand, preferably at the same time.
Because they'll remember how you made them feel and provided them with a sense of comfort and
community at a time when everyone could use a bit more of both.
Today's jam bands have learned these lessons well and are riding high along with their fans… uh,
customers.
And by the way, employing aromatic herbs stronger than potpourri for this purpose is not recommended.
"Riding High" was a figure of speech only. Piping Grateful Dead music into the lobby, however? Now
that's a winner of an idea…
Feedback? Email Rob Rush at rob.rush@lraworldwide.com.
Click here to Read Rob Rush's Biography.
Reprinted with permission from www.hotelexecutive.com
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